CLAIRE COREY |
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1968 in Redondo Beach, Kalifornien / USA geboren. |
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| Lebt und arbeitet in Brooklyn, New York / USA | ||
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| 1989 Bachelor of Arts, University of California, Los Angeles / USA |
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PREISE UND AUSZEICHNUNGEN / AWARDS |
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1999 |
Marie Walsh Sharpe Art Foundation Space Program |
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2000 |
Pollock-Krasner Foundation |
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2001 |
The Aldrich Museum Trustee's Award for an Emerging Artist |
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EINZELAUSSTELLUNGEN / SOLO EXHIBITIONS |
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1997 |
The Knitting Factory, New York City |
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2000 |
"Cyber Drawings" (project room) Christinerose Gallery, New York City |
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2002 |
"The Verge: Claire Corey" Plains Art Museum, Fargo, North Dakota / USA |
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(Katalog) |
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2003 |
"Hybrid" Ten in One Gallery, New York City |
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"Claire Corey" Galerie Bugdahn und Kaimer, Düsseldorf |
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2004 |
"Hybrid" One-Person Show mit Galerie Bugdahn und Kaimer bei Art Brussels, |
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Brüssel / Belgien |
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Solomon Projects, Atlanta, Georgia / USA |
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2005 |
"Data Deviation" Yoshiko Matsumoto Gallery, Amsterdam / Niederlande |
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2006 |
"Renderings" Galerie Bugdahn und Kaimer, Düsseldorf |
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GRUPPENAUSSTELLUNGEN (Auswahl) / GROUP EXHIBITIONS (Selected) |
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1996 |
Printed Matter Inc., New York City |
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1998 |
"May 17" Cornish Estate, Cold Springs, New York / USA |
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"Sixth Annual Digital Salon" Visual Arts Museum, School of Visual Arts, New York City |
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1999 |
Circulo de Bellas Artes, Madrid / Spanien |
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Triennale de Milano, Mailand / Italien |
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Centre de Cultura Contemporania de Barcelona, Barcelona / Spanien |
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Sala de Exposiciones CAM, Alicante / Spanien |
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"Road Show" DFN Gallery, New York City |
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"Parking" Highbridge Park, New York City |
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"Size Matters" Gale Gates et al., Brooklyn, New York / USA |
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2000 |
"Against an Infinite Horizon" Carin Golden Fine Art, New York City |
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"Cyber Drawings" Christinerose Gallery, New York City |
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"Dirty Realism" Robert Pearre Gallery, Tucson, Arizona / USA |
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"Ink Jet" Aldrich Museum of Contemporary Art, Ridgefield, Connecticut / USA |
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(Katalog) |
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2001 |
"Painting, Almost Painting" Christinerose Gallery, New York City |
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"Fakespace" Here Gallery, New York City |
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"Invitational Exhibition of Painting and Sculpture" The American Academy of Arts |
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and Letters, New York City |
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"New Dimensions in Digital Art" Vesceglia Gallery, Caldwell College, New Jersey / USA |
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"Claire Corey / Robin Michals" Venetia Kapernekas Fine Art, New York City |
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"Abstraction" Jay Grimm Gallery, New York City |
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2002 |
"Anxiety" Dumbo Arts Center, Brooklyn, New York / USA |
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"The Love Show" David Risley Gallery, London |
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"Artists to Artists: Ten Years of the Marie Walsh Sharpe Space Foundation" |
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Ace Gallery, New York City |
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"Early Acclaim: The Aldrich Emerging Artist Award Recipients 1997-2001" |
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The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut / USA |
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(Katalog) |
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"Paintings as Paradox" Artists Space, New York City (Katalog) |
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"The Undertones" Ten in One Gallery, New York City |
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"Billboard Project" Socrates Sculpture Park, Long Island City, New York |
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"K-48-3: Teenage Rebel - The Bedroom Show" kuratiert von Scott Hugg, |
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John Connelly Presents, New York City |
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2003 |
"F'Abstraction" The Museum of Contemporary Art, District of Columbia, |
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Washington, D.C. / USA |
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"Now Playing: Daniel Reich Gallery, John Connelly Presents, K48" |
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D'Amelio Terras Gallery, New York City |
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2004 |
"Benefit Edition for The Aldrich Museum" The New York Armory, New York City |
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"Stay Positive" Marella Arte Contemporanea, Mailand / Italien |
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"Hybrid" One-Artist Show mit Galerie Bugdahn und Kaimer bei Art Brussels |
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Brüssel, Belgien |
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"It's the reason to be jolly" Yoshiko Matsumoto Gallery, Amsterdam / Niederlande |
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2005 |
"Sommergäste" Galerie Bugdahn und Kaimer, Düsseldorf |
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2006 |
"Artist as Alchemist" Brenau University, Gainesville / GA |
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"Fantastic Routes" The Lab (in Zusammenarbeit mit Galeria Galou), New York City |
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BIBLIOGRAPHIE |
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1997 |
Liz McQuiston "Suffragettes to She-Devils: Women's Liberation and Beyond", |
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in: Phaidon Press, London; Seite 148 |
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1998 |
"Sixth Annual New York Digital Salon. Leonardo", |
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in: MIT Press Journals 31, no.5; Seite 448 |
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1999 |
Paul Laster "Brooklyn Spice", |
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in: ArtNet Magazine, 19. Oktober 1999 |
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2000 |
Ken Johnson "Art Guide-Galleries: Chelsea, 'Cyber Drawings'", |
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in: The New York Times, 21. Januar 2000; sec. D |
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Christian Viveros-Fauné "Computer World: Digital Art Invades Chelsea", |
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in: New York Press, 13, no.5, Februar 2000; cover, Seite 5 |
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Regine Basha "Art on the Verge - Claire Corey" |
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in: New York City Magazine, September/Oktober 2000; Seite 32 |
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Richard Klein "Ink Jet - Matt Chansky, Claire Corey, Tom Moody", |
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in: Folder zur Ausstellung, 24. September 2000 - 7. Januar 2001, |
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The Aldrich Museum of Contemporary Art, Ridgefield, Conneticut; 6 Seiten |
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2001 |
Ken Johnson "Art Guide Galleris: Chelsea 'Claire Corey/Robin Michals'", |
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in: The New York Times, 20. April 2001; sec. D |
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Stephanie Cash "Front Page", |
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in: Art in America, Juni 2001; Seite 23 |
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Steven Vincent "The Art of Making It", |
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in: Smock Magazine, no.3, Frühjahr/Sommer 2001; Seite 85 |
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Anne Wehr "Events: Free Arts for Abused Children: A Few of My Favorite Things", |
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in: Time Out New York, no.303, 12.-19. Juli 2001; Seite 83 |
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Boris Kachka "Benefit: Playing Favorites", |
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in: New York Magazine Vol.34, Heft 28, 23. Juli 2001; Seite 91 |
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David Hunt "Claire Corey", |
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in: Art & Text Magazine, August-Oktober 2001; Seiten 89-90 |
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"News Briefs: Kudos", |
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in: Artnews, Oktober 2001; Seite 62 |
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"Images: Claire Corey", |
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in: bkyn, an online journal of the arts, v.2, November 2001; www.bkyn.com |
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Tom Moody "Palo Alto Dreamin': Towards a New Digital Expression(ism)", |
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in: Art Papers Magazine, November/Dezember 2001; Seiten 20-24 |
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Claudia La Rocco "Digital Art Works Its Magic on the Traditional Art Landscape", |
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in: Art Business News, Dezember 2001; Seiten 44-46 |
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2002 |
"K48", no.2, Winter 2002 |
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Sarah Kent "Art Preview: Love", |
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in: Time Out London, 10.-17. April 2002, no.1651; Seite 56 |
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David Frankel (Hrsg.) "Artist to Artist: Ten Years of the Marie Walsh Sharpe |
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Space Foundation", |
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in: Katalog der Ausstellung, Verlag Cantz, Ostfildern; Seiten 280-281 |
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William Zimmer "Art: From Now and Then, Art That's Both New and Novel" |
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in: The New York Times, Ausg. Connecticut, 20. Oktober 2002; Seite 13 |
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Helen Kontova "Curating Painting: A Panel Discussion with Peter Pakesch, |
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Douglas Fogle, and Lauri Firstenberg", |
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in: Flash Art Magazine, November-Dezember 2002; Seiten 59-61 |
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Jerry Saltz "Painting a la Mode", |
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in: The Village Voice, 4.-10. Dezember 2002; Seite 63 |
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Ken Johnson "Art in Review: 'Painting as Paradox'", |
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in: The New York Times, 13. Dezember 2002; E44 |
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in: Katalog der Ausstellung, 10. Oktober 2002 - 5. Januar 2003, |
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Plains Art Museum, Fargo, North Dakota; 16 Seiten |
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2003 |
Merrily Kerr "Spotlight: Painting as Paradox", |
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in: Flash Art Magazine, Januar-Februar 2003; Seite 107 |
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Paul Laster "Art Reviews: 'K48-3: Teenage Rebel-Bedroom Show'", |
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in: Time Out New York, 2.-9. Januar 2003, Ausg. 379; Seite 59 |
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Ken Johnson "Art Guide-Galleries: Chelsea, 'Undertones'", |
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in: The New York Times, 3. Januar 2003; E44 |
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Roberta Smith "Art Review: A Bread-Crumb Trail to the Spirit of the Times - |
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John Connolly Presents", |
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in: The New York Times, 17. Januar 2003; E41, 53 |
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Klaus Sebastian "Malerei aus dem Computer" |
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in: Rheinische Post, 10. September 2003 |
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Ulla Wöhrle "Claire Corey. Künstlerportrait" |
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in: Vernissage, 31/03 Herbst/Winter 2003/04, Seiten 22-23 und 26-29 |
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2004 |
Joe Fyfe "Review of Exhibitions: Claire Corey at Ten in One" |
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in: Art in America, März 2004, Seiten 131-132 |
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Jerry Cullum "Visual Arts: Digital Abstractions Point Toward Future of Painting" |
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in: The Atlanta Journal Constitution, 28. November |
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2005 |
Philip Auslander "Reviews: Atlanta: Claire Corey, Solomon Projects" |
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in: Art Forum, März 2005, Seiten 242-243 |
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2006 |
Alexander Pühringer "Wonderland" |
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| in: Frame, Mai 2006 | ||