CAROLINE MCCARTHY |
|
Born |
|
| 1971, Dublin, Ireland | |
| Live and work in London since 1997 | |
Education |
|
| B.A. Fine Art, National College of Art & Design, Dublin, 1989 - 1994 | |
| M.A. Fine Art, Goldsmiths College, London, 1997 1998 | |
Solo Exhibitions |
|
2007 |
|
| Grand Detour: Vedute and Other Curious Observations Off the Grand Route, | |
| Galerie Bugdahn und Kaimer, Düsseldorf | |
2006 |
|
| Grand Detour, Parker’s Box, New York | |
| There, Void Gallery, Derry, Northern Ireland | |
2004 |
|
| WindowWall, Public Art Project, Letterkenny, Ireland | |
2003 |
|
| Springs Eternal, Hammer Sidi, London | |
| Solo Exhibition, Limerick City Art Gallery, Ireland | |
2002 |
|
| The Glow is Fading, Gasworks, London | |
| Port Sunlight, Temple Bar Gallery, Dublin | |
| Solo Exhibition, Parker’s Box, New York | |
1996 |
|
| In Retrospect, Basement Gallery, Dundalk, Ireland | |
| |
|
Selected Group Exhibitions |
|
2006 |
|
| Double Take, Schroeder Romero Gallery, New York | |
| The Square Root of Drawing, Temple Bar Gallery, Dublin, Ireland | |
| Our Day Will Come, (cur. O’Neill/Claffey/Temp.Contemp), Zoo Art Fair, London | |
| Failure, (cur. by M.Fitzpatrick), Butler House, Kilkenny, Ireland | |
| Metropolis Rise: New Art from London (cur.by A.Gross & J.Wu), Shanghai, China | |
2005 |
|
| To Be Continued…, (British Council), Helsinki Kunsthalle, Finland | |
| Variety, (Commission) DeLaWarr Pavilion, Bexhill, UK | |
| Use This Kind of Sky, (cur.by Eachus/Farhid), Keith Talent Gallery, London | |
| Siar 50 fifty years of contemporary Irish Art, Irish Museum of Modern Art, Dublin | |
| International Exhibitionist, Screening, Curzon Soho Cinema, London | |
| England Their England, (cur.by R.Downes), Nichts Fur Laden, Germany | |
| Brit Povera, (cur.by R.Downes), Galerie Krinzinger, Vienna, Austria | |
| In(tensions), Hoet Bekaert Gallery, Ghent, Belgium | |
| The Poster Show, (cur.by LOT), Bristol, UK | |
| Out of the Ordinary, Travelling Gallery, Scotland | |
2004 |
|
| East End Academy, Whitechapel Art Gallery, London | |
| Frieze Art Fair, (w.Parker’s Box, NY), London | |
| FIAC Art Fair, (w.Parker’s Box NY), Paris | |
| Screening, (cur.by Artprojx), Prince Charles Cinema, London | |
| Draught, (cur.by O.Bjornsdottir), Klink and Bank Project Space, Reykjavik, Iceland | |
| The Morning After the Night Before, Parker’s Box Gallery, New York | |
| September, Green on Red Gallery, Dublin, Ireland | |
| Tonight, (cur.by P.O’Neill), Studio Voltaire, London | |
| Views from an Island, Shanghai Art Museum, Shanghai, China | |
2003 |
|
| Europe Exists, (cur.by R. Martinez / H.Szeemann), MMCA, Thessaloniki, Greece | |
| Under Different Circumstances, (cur.by T.Bundgaard), Charlottenborg, Copenhagen | |
| Permaculture, (cur. by G. Watson & V. Claffey), Project, Dublin | |
| I Saw Your Lips Move, (cur.by L.Seers), Cell Projects, London | |
| The Unblinking Eye, Irish Museum of Modern Art, Dublin | |
2002 |
|
| CMYK/Greyscale, (cur.by R.G. Nesbitt), Tramway, Glasgow (also RHA, Dublin) | |
| Everything To Lose, La Friche, Marseilles/ Gasworks, London | |
| Now is the Time, (cur.by K. Freed), Dorsky Project Space, New York | |
| Neverland, (cur.by M.Oeschler), Cell Projects, London | |
| New, Green on Red Gallery, Dublin | |
| RHA Summer Show, RHA, Dublin | |
| Sitting Tenant, (cur.by A. Vickery), Lotta Hammer’s House, London | |
2001 |
|
| Tirana Biennale, (sel.by P. Ellis), Tirana, Albania | |
| Enter, Stuttgart, Germany | |
| All That is Solid, London Print Gallery Studio, London | |
| Break in Theatre, (cur. by S. Satom), Kojimachi Gallery, Tokyo, Japan | |
2000 |
|
| Art of the World, (sel.by CIRCA mag.), Pont Alexandre III, Paris | |
| Tourist Conspiracy Project, De Fabrik, Eindhoven | |
| NowHere, Rubicon Gallery, Dublin | |
| EV+A, (sel.by R.Martinez),Limerick City Art Gallery, Ireland | |
| In Search of Experience Reconsidering the Readymade, (cur.by F. Jones), Green on Red, Dublin | |
| From the Poetic to the Political - Irish Art Now, IMMA collection touring U.S. | |
| Include Me Out, (cur. by UNIT), disused shop, London | |
1999 |
|
| In-Consistency, (cur.by P.O’Neill), Arthur R.Rose, London | |
| Cabin Fever, Herold Gallery, Bremen, Germany | |
| Victor Treacy Award Exhibition, (sel.by D. Godbold), Butler Gallery, Kilkenny, Ireland | |
| Very Gloomy, curated by UNIT, Mota Gallery, London | |
| Everyday Living, Tablet Gallery London + RMIT University, Melbourne, Australia | |
1998 |
|
| Multiples, Temple Bar Gallery, Dublin | |
| Postneoamateurism, New Work U.K., (cur.by UNIT), Chisenhale Gallery, London | |
| Return to sender, (cur.by Busqeda Box), Ireland / Australia | |
1997 |
|
| Outside, Douglas Hyde Gallery, (cur.by A.Fletcher), Dublin | |
| |
|
Residencies |
|
2004 |
Biz-Art, Shanghai, China |
2002 |
Triangle Studio, La Friche, Marseilles, France |
| Parker’ Box, New York | |
2000 |
De Fabrik, Eindhoven, Netherlands |
1997 |
Artist’s Work Programme, Irish Museum of Modern Art, Dublin |
| |
|
Awards / Commissions |
|
2006 |
Culture Ireland Award |
2005 |
Commission for Variety by DeLaWarr Pavilion, Bexhill, UK |
2005 |
Commission for Draiocht, Dublin |
2005/01 |
Travel Award, British Council |
2004 |
Public Art Commission, Letterkenny, Ireland |
2005/03/01 |
Artist Bursary, Arts Council of Ireland |
2001 |
AIB Art Prize (Allied Irish Bank with Temple Bar Gallery, Dublin) |
2001 |
Artist Bursary, London Arts Board |
2000 |
Open Award, EV+A 2000 (adj.: Rosa Martinez) |
1997 |
Post-Graduate Scholarship, Arts Council of Ireland |
1996 |
Open Award, E V+A 1996 (adj.: Guy Tortosa) |
| |
|
Selected Publications: |
|
| Caroline McCarthy, Gasworks Gallery London, 2003, ISBN 09545787-2-4 | |
| Caroline McCarthy, Temple Bar Gallery Dublin, 2002, ISBN 190385022 | |
| To Be Continued, British Council, 2005, ISBN 0863555489 | |
| New Art From London, Thames & Hudson London, 2006, ISBN 050028606X | |
| |
|
Represented by: |
|
| Parker’s Box, New York, USA | |
| Hoet Bekaert Gallery, Ghent, Belgium | |
| Galerie Bugdahn und Kaimer, Düsseldorf, Germany | |