SHARON KIVLAND |
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1955 geboren in Deutschland als amerikanische Staatsbürgerin / Born in Germany, American citizen |
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Lebt und arbeitet in Frankreich und England / Lives and works in France and England |
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1995 |
M.A. (Masters) History of Art, Goldsmiths College, University of London |
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2002 |
PhD (Doctorate) History of Art Department, University of Reading |
SONSTIGE AKTIVITÄTEN / OTHER ACTIVITY |
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Researcher, Centre for Freudian Analysis and Research, London |
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Reader in Fine Art, School of Cultural Studies, Sheffield Hallam University, Sheffield / England |
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Visiting Fellow, Institute of Germanic and Romance Studies, University of London |
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Editor in chief of “Transmission: Speaking and Listening” Site Gallery, Sheffield / England |
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Editor of “The Rules of Engagement“ Artworks, London |
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Guest-Editor, with Jaspar Joseph-Lester, of “Art and Text“, theory section, www.art-omma.org |
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AUSZEICHNUNGEN / AWARDS AND GRANTS |
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1986 |
The British Council |
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1987 |
Greater London Arts award |
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Henry Moore Foundation, exhibition award |
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Tower Hamlets Artists award |
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1988 |
The Elephant Trust, publication award |
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1990 |
The British School at Rome, award in Sculpture |
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1991 |
Greater London Arts award |
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1992 |
Canada Counsil research award |
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The British Council |
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1993 |
The Harmstone Bequest, Sheffield City Council |
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1994 |
The British Council |
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1996 |
The British Council |
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1998 |
The British Council, travel grant |
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1999 |
The British Council, Paris, exhibition grant |
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2000 |
Arts and Humanities Research Board, The British Academy |
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London Arts Board, photography panel |
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The British Council, Canada, travel grant |
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2002 |
The British Council, Paris, exhibition grant |
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Conseil Géneral de Côtes d'Armor |
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D.R.A.C. de Bretagne |
ARBEITSSTIPENDIEN / RESIDENCIES |
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1985 |
Safeway Supermarket, Canterbury / England |
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1987 |
Chipping Norton School, Oxfordshire / England |
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1988 |
Bonner School, London, organized by the Whitechapel Art Gallery |
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European Fellow, Exeter College of Art, Exeter and Academy of Fine Art Arts, Den Haag |
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1989 |
University of Windsor, Ontario / Canada |
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1990 |
Parliament Hill School, organized by the Serpentine Gallery, London |
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1996 |
Teaching Residency, Ontario College of Art, Toronto / Canada |
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1997 |
Cité des Arts Internationale, Paris |
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1998 |
Second International Artists Village, Sri Lanka |
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EINZELAUSSTELLUNGEN / SOLO EXHIBITIONS |
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2009 |
“Reisen" Galerie Bugdahn und Kaimer, Düsseldorf / Germany |
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“Quels seraient les meilleurs moyens de perfectionner l’education des femmes ?" |
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Frac Bretagne, CIAC Centre International d’Art Contemporain, Pont-Aven / France |
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2008 |
“A Wind of Revolution Blows, the Storm is on the Horizon" Chelsea Art Space, London |
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“Mon abécédaire" Sleeper, Edinburgh / Scotland |
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“Natural Education" Bastart Contemporary, Bratislava / Slovakia |
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2007 |
“Freud Dreams of Rome" The Freud Museum, London |
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2006 |
“La forme-valeur II" AKAU Inc., Toronto / Canada |
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2005 |
“Ma Nana et autres filles“ Atelier de Marcel Dinahet, Rennes / France |
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“Mes fils“ DomoBaal Contemporary Art, London |
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“La forme-valeur“ Galerie de Cloître, ERBAR, Rennes / France |
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2004 |
“Cela aura déjà eu lieu“ Centre d’Art Contemporain, Morsang-sur-Orge / France |
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“Flair" Bartlet School of Architecture, University College, London |
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2003 |
“L'autre corps" Galerie Bugdahn und Kaimer, Düsseldorf / Germany |
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2002 |
"Le bonheur des femmes" Centre Culturel, Ploufragan / France |
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“Le bonheur des femmes“ Hôtel de Ville, Guingamp / France |
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2001 |
"Le bonheur des femmes" Galeria La Centrale, Montreal / Canada; |
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"Le bonheur des femmes" Le Triangle, Rennes / France |
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2000 |
"Le bonheur des femmes" Portfolio, Edinburgh / Scotland |
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“Mes Péripatéticiennes“ Contemporary Arts Society projects, Economist Building, London |
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"A View from a Distance" Harwood House, Leeds / England |
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1999 |
Wigmore Fine Art, London |
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"La valeur d'échange" Centre d'Art Contemporain, Rueil-Malmaison / France |
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1998 |
"The School for Lovers" Site Gallery, Sheffield and Bonington Gallery, Nottingham / England |
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"Mes Folies" Galerie Behemot, Prag / Czech Republic |
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"Mes Tendresses" Gallery TPW, Toronto / Canada |
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1997 |
"Rapport Sexuel" Installation of video at Gender and Sexuation Conference, organized by |
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the European School of Psychoanalysis, Brunei Gallery, University of London |
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"Des femmes et de la propriété" Site Départementale de Dourven, Bretagne / France |
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1996 |
"Je sais bien mais quand même" Musée des Beaux-Arts, Reims / France |
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"Letters of the Blind" Gallery 101, Ottawa / Canada |
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"En Morceaux" Raum für Neue Kunst, Zürich / Switzerland |
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1994 |
"Cent Femmes" Gallery JNJ, Prague / Czech Republic |
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"J'appelle un chat un chat" The Library, Bookworks, London |
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"Aphonia" CAPC, St. Fons / France |
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"Mais quand même" Stadtausstellungshalle von Hawerkampf, Münster / Germany |
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"J'appelle un chat un chat" YYZ, Toronto / Canada |
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"Je sais bien" Hales Gallery, London |
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1993 |
"Jeu d'esprit" Apollohuis, Eindhoven / The Netherlands |
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1992 |
"A Bout de Souffle" Dazibao, Montreal / Canada |
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"Coup de Foudre" Credac, Ivry-sur-Seine / France |
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"L'attente...l'oubli" New Loom House, London |
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1991 |
"L'une sans l'autre" Les Ateliers Nadar, Marseille / France |
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"Chimera" Aspex Gallery, Portsmouth / England |
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"The Fire of Tongues" Ikon Gallery, Birmingham / England |
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1990 |
"The Blind Daughter" The Showroom, London |
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"Je me souviens" Lebel Gallery, Windsor / Canada |
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"Crossing with silver" Whitechapel Art Gallery, London |
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"In place of the heart" Athens Biennale of Photography, Athen / Greece |
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1988 |
"Purgo et Ornat" Academy of Fine Art, Den Haag / The Netherlands |
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"The Conversion of Pleasure into Sickness" Usher Art Gallery, Lincoln / England |
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1987 |
"Houses and Paths of Dreams" MOMA Museum of Modern Art, Oxford / England |
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"A Trouble Shared" Riverside Studios, London |
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"The Conversion of Pleasure into Sickness" Chapter Arts Centre, Cardiff and Kettle’s Yard, |
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Cambridge / England |
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1986 |
"Washing Lines" Mile End Automatic Laundry, London |
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"Tired and Thirsty" Photogaleriet, Oslo / Norway |
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"The vessel/held" Spitalfields Health Centre, organized by Whitechapel Art Gallery, London |
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1984 |
"Atelier de jeune creation" Centre Georges Pompidou, Paris / France |
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1980 |
Anthony Stokes Gallery, London |
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1979 |
Anthony Stokes Gallery, London |
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1978 |
AIR Gallery, London |
GROUP EXHIBITIONS |
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2009 |
“Time is a Sausage“ DomoBaal Contemporary Art, London |
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2008 |
“Summer Interval 08“ Galerie Bugdahn und Kaimer, Düsseldorf / Germany |
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“Parallax“ Fieldgate Gallery, London |
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2007 |
“Pages“ in Special Collections, University Leeds, Leeds / England |
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“Textual Healing“ The Embassy, Edinburgh / Scotland |
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2006 |
“Sitting Room, an exhibition of contemporary artists’ books“ curated by Tom Sowden |
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and Lucy May Schofield, Manchester Metropolitan Gallery, Manchester / England |
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2005 |
“Diderot“ Danielle Arnaud Gallery, London |
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“Sommergäste“ Galerie Bugdahn und Kaimer, Düsseldorf / Germany |
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“Erratum“ SYMPRA, Stuttgart / Germany |
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“Focused Listening“ Le Lieu Unique, Nantes / France |
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“Arcadia id est: artists‘ books, nature and the landscape“ touring exhibition of artists’ books |
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2004 |
“Nature and Nation“ Hastings Museum and Art Gallery, Hastings / England |
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2003 |
"A Reader" (with Lucy Harrison and Nina Papaconstantinou) |
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DomoBaal Contemporary Art, London |
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“Borders and Boundaries“ The Meadow Gallery, Burford / England |
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“Twenty-four hours“ The International 3 (aka The Annual Programme), Manchester / England |
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2001 |
"Centième" Editions Filigranes, Salon Paris Photo, Carrousel du Louvre, Paris / France |
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2000 |
"Loving at Home II" EdviksKonst och Kultur, Stockholm / Sweden |
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"Jeux d'Amour" curated by Hybrid, Battersea Arts Centre and Wigmore Fine Arts, London |
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“The Betrayal of the Image“ Casino de Luxembourg, Luxembourg |
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1999 |
"Loving at Home" Centre for Freudian Research and Analysis, London |
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"Flop" The French Institute, Edinburgh / Scotland |
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"The Equinox" Cairn Gallery, Nailsworth / England |
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"Alliance Française" Lodz / Poland |
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"Passion" Gasworks, London |
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1998 |
"Forest" The Bull and Last, London |
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"Body and Photography" curated by Martina Pachmanova |
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The Prague House of Photography, Prague / Czech Republic |
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"Evil: Critical Interventions" John Hansard Gallery, Southampton / England |
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1997 |
"Cocktail" Raum für neue Kunst, Zürich / Switzerland |
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"Group Show" Rack Gallery, London |
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"Fascinum" (with Shelagh Wakely and Michelle Naismith) Art House, London |
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1996 |
"Gallery artists" Raum für neue Kunst, Zürich / Switzerland |
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"DuSoMaclalanKiPonBruHu" CAPC, St. Fons / France |
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"Dialect" The Anglican Church" via del Babuino, Rome / Italy |
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"Mauvais Genre" Mois de la Photo, Reims / France |
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"Mauvais Genre" CAPC Saint-Dizier / France |
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"Last Out, Lights Out" Langsett School, Sheffield / England |
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1995 |
"Words" Aspex Gallery, Portsmouth / England |
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"Desiring Practices" RIBA, London |
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"In Vino Veritas" The British School at Rome, Rome / Italy |
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"Speculation" curated by Jean-Marc Huitorel Ecole des Beaux-Arts, Brest / France, |
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1994 |
"Quelles hysteries?" curated by Christian Gattinoni, Galerie du Cloître, Rennes / France |
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"Hermit" International Symposium, Plasy / Czech Republic |
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"Wellspring" curated by Antonia Payne and Angela Kingston, |
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Bath Arts Festival, Bath / England |
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"Les Femmes, autremont" Chateau du Beaumanoir, Quintin / France |
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1993 |
"Britart" Raum für Neue Kunst, Zürich / Switzerland |
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"En Scène" W139, Amsterdam / The Netherlands |
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"Passage" Clove Two, London |
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"Acer Pseudoplatanus" curated by Gloria Carlos, Sydenham Gardens and Nature Reserve, |
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Sydenham Town, London |
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"Public / Private: secrets must circulate" Fotofeis, curated by Alain Reinaudo, |
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The French Institute, Edinburgh / Scotland |
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1992 |
"Britart" Galerie Bruno Bücher, Poitiers / France |
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Galerie Apunto, Amsterdam / The Netherlands |
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"Summer Lightning" curated by Wise/Taylor Partnership, |
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Dreadnought Seaman's Hospital, Greenwich, London, |
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"Rose" curated by Wise/Taylor Partnership, Rose Court, London, |
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"Annunciation" St. George's Church, Bloomsbury / England |
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1991 |
"Après la photographie de voyage" Dazibao, Montreal / Canada |
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1990 |
"Rome Scholars 1980-90" The Royal College of Art, London |
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"Ora ti faccio vedere" Artists at the British School of Rome, Rome / Italy |
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1989 |
"Ergasterion" touring show organized by |
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the Canadian Museum of Contemporary Photography |
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"Anima Mundi" Stills Gallery, Edinburgh / Scotland |
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Zelda Cheatle Gallery, London |
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"Metamorphosis of the Image" Athens Biennale of Photography, Athens / Greece |
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"It’s a still-life" Arts Council Collection, The South Bank Centre, London |
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1988 |
"Clayworks" Manchester City Art Gallery, Manchester / England |
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"The Subversive Stitch" Cornerhouse, Manchester / England |
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1987 |
"The State of the Nation" Herbert Art Gallery, Coventry / England |
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"TSWA 3 D" Dartmoor / England |
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"Painting Photography Painting" Pomeroy Gallery, London |
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"Whitechapel Open" Whitechapel Art Gallery, London |
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1986 |
"Third Generation: Women Sculptors Today" Canterbury Arts Festival, Canterbury / England |
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"New British Sculpture" AIR Gallery, London |
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"Whitechapel Open" Whitechapel Art Gallery, London |
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"Objects as Art" Plymouth Arts Centre, Plymouth / England |
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"No Place like Home" Cornerhouse, Manchester / England |
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"Pink for a girl, blue for a boy" Dean Clough, Halifax / England |
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"Next Tomorrow" Kettle's Yard, Cambridge / England |
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1985 |
"Sculptors at Work" Canterbury Arts Festival, Canterbury / England |
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"Revisions" Cambridge Darkroom, Cambridge; Watershed, Bristol; |
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John Hansard Gallery, Southampton / England |
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"Rituals" Brewery Arts Centre, Kendal / England |
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"Fresh Air" St. Paul's Gallery, Leeds / England |
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"Five Women" Howard Gardens Gallery, Cardiff / England |
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1984 |
"Multiples" Photographer's Gallery, London |
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"Sequences" Cambridge Darkroom, Cambridge / England |
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"Dog Works" Interim Art, London |
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1983 |
"Postcard Views" Chapter Arts Center, Cardiff / England |
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1982 |
"Summer Show" Serpentine Gallery, London |
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"Houses and Homes" Arnolfini, Bristol / England |
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"Strategies" John Hansard Gallery, Southhampton / England |
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"The South Bank Show" South London Art Gallery/Coracle Press, London |
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1981 |
"Spatialists" ffotogallery, Cardiff / England |
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"Photography as Medium" The British Council |
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The Arts Council Collection, Hayward Gallery, London |
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Tolly Cobbold Eastern Arts, Fitzwilliam Museum, Cambridge / England |
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"Whitechapel Open" Whitechapel Art Gallery, London |
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1979 |
Elise Meyer Gallery, New York City |
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Anthony Stokes, London |
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"New Contemporaries" Acme Gallery, London |
KOLLABORATIONEN UND PROJEKTE / COLLABORATIVE EXHIBITIONS AND PROJECTS |
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2004 |
"Les Parisiennes" with Jeannie Lucas, Galerie Serge Plantureux, Paris |
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2003 |
"Llaw" text work for the bookart bookshop, curated by Brigid McLeer |
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"Writing Instructions / Reading Walls" curated by Susan Johanknecht and Redell Olson, |
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The Poetry Society, London |
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2001 |
"Making History" a site-based visual arts project, |
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King Edwards Hospital, Staffordshire / England |
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2000 |
"Last Year" public commission, The Oncology Department, |
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Queen Elizabeth Hospital, Birmingham / England |
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1999 |
"Inserts" artist’s pages in ‘Angelaki’, curated by Antonia Payne, |
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The Laboratory, Ruskin School of Art, Oxford / England |
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1997 |
"A distance between them" video commissioned by choreographer Gary Rowe, |
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for a new dance piece, at Jackson’s Lane, and touring to Sydney and Melbourne / Australia |
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1995 |
"Mes Amours" artist’s pages for ‘Seiten’, Baden / Switzerland |
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1994 |
"Rate of Exchange" a project in ‘Versus’ magazine, September issue |
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1993 |
"Reading in the Dark" with Cheryl Sourkes, Cambridge Darkroom, Cambridge / England |
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1990 |
"A Pastoral Interlude" with Ben Hillwood-Harris, University of Essex, Essex / England |
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"The Forms of Construction" with Ben Hillwood-Harris, |
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City Art Gallery and Museum, Stoke-on-Trent / England |
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"The Abandonment of Origins" with Ben Hillwood-Harris, |
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The Mappin Art Gallery, Sheffield / England |
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1989 |
"The Remains of Intention" with Ben Hillwood-Harris, Watermans Art Centre, London |
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1988 |
"Storm Shelter" with Mark Currah, Carlile Gallery, London |
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KURATORISCHE PROJEKTE / CURATORIAL PROJECTS |
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2000 |
"Mise en scene" CFAR Centre for Freudian Analysis and Research, London |
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"Anxious Words" Waterstones Bookshop, London |
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"There is no sexual relation" CFAR Centre for Freudian Analysis and Research, London |
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1999 |
"A disturbance of memory on the Acropolis" CFAR Centre for Freudian Analysis |
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and Research, London |
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1998 |
"Ornament in the Field of Vision" CFAR Centre for Freudian Analysis and Research, London |
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"Disquieting Strangeness" CFAR Centre for Freudian Analysis and Research, London |
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"The Impossible" CFAR Centre for Freudian Analysis and Research, London |
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1997 |
"Lexicon" CFAR Centre for Freudian Analysis and Research, London |
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"A little object" CFAR Centre for Freudian Analysis and Research, London |
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1993 |
"Les Voyageurs" Galerie du Chai, St. Brieuc / France |
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1991 |
"The Centre of the World" John Hansard Gallery, Southampton / England |
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1988 |
"The Consumption of Elements" Chisenhale Gallery, London |
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"Fragments of False House" Pomeroy Gallery, London |
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"Monumental Works" with Ian Walker, St. George’s Church, London |
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1987 |
"A System of Support" Kettle’s Yard, Cambridge / England |
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1986 |
"The Illuminations" Camerawork, London |
PUBLIC COLLECTIONS |
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The Arts Council of Great Britain |
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The British Council |
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The Contemporary Arts Society |
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The Creasey Collection |
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London Borough of Camden |
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The Usher Art Gallery, Lincoln |
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Kettle’s Yard, Cambridge |
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BÜCHER UND KATALOGE / BOOKS AND CATALOGUES |
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2009 |
"Afterwards" Mead Gallery, Warwick Arts Centre, The University of Warwick / England |
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2008 |
"A wind of revolution blows. The storm is on the horizon. Fashion: a glossary of terms |
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by Esther Leslie, illustrated by Sharon Kivland" Chelsea Art Space, London |
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"An Agent of the Estate" Information as Material editions, York / England |
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2007 |
"Freud on Holiday. Volume II. A Disturbance of Memory" Cubearteditions, Athens / Greece |
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and Information as Material editions, York / England |
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"L’Esprit d’escalier" Information as Material editions, York / England |
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2006 |
"Freud on Holiday. Volume I. Freud Dreams of Rome" Information as Material editions, |
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York / England |
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"La forme-valeur" DomoBaal editions, London |
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"Mes Fils" DomoBaal editions, London |
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2005 |
"Cela aura déjà eu lieu" CAC Contemporary Art Centre, Château de Morsang / France |
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2004 |
"Flair" DomoBaal editions, London |
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"Parisiennes" Jean-Pierre Faur Editeur, Paris |
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2003 |
"A Reader" DomoBaal editions, London |
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"William Markwick, The property of a Gentleman 1768-1770, Volume I" |
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Hastings Museum and Art Gallery, Hastings / England |
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2002 |
"Le bonheur des femmes" Filigranes éditions, Trézélan and Paris |
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"Transmission: Speaking & Listening. Volume I" |
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Sheffield Hallam University and Site Gallery, Sheffield / England |
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2001 |
"Fragments d’une correspondance litteraire" Book Works, London |
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"Memoirs, Making History" Staffordshire University, Stoke-on-Trent / England |
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2000 |
"In the Place of an Object" CFAR Centre for Freudian Analysis and Research, London |
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"Caption" Angelaki, London |
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"Le bonheur des femmes /The Scent of a Woman)" VU Québec / Canada |
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1999 |
"A Case of Hysteria" Book Works, London |
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"Le Valeur d’Echange" Centre d’art contemporain de Rueil-Malmaison / France |
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1998 |
"Sinthome" John Hansard Gallery, Southampton / England |
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"The School of Lovers" Site Gallery, Sheffield / England |
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"Body and Photography" Prague House of Photography, Prague / Czech Republic |
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"Les Passages Couverts" Editions le collection rdm10, Limoges / France |
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1997 |
"Les Femmes et de la Propriété" Editions Filigrane, Paris |
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"Fascinum" sk press, London |
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1995 |
"La Passante" RIBA, London |
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"Le Double" CAPC Centre d’arts plastiques, Saint-Fons / France |
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1994 |
"J’appelle un chat un chat" Book Works, London |
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"Aphonia" CAPC Centre d’arts plastiques, Saint-Fons / France |
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1993 |
"Reading in the Dark" Cambridge Darkroom, Cambridge / England |
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1992 |
"A Bout de Souffle" Dazibao, Montréal / Canada |
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1991 |
"L’une sans l’autre" Les Ateliers Nadar, Marseille / France |
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"Reading the Glass; Management of the Eyes, Moderation of the Gaze" |
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Book Works, London |
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"The Fire of Tongues" Ikon Gallery, Birmingham / England |
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1990 |
"The Forms of Construction / The Abandonment of Origins" |
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Stoke City Art Gallery Museum / Mappin Art Gallery / England |
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1989 |
"The Remains of Intention" Watermans Arts Centre, London |
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1988 |
"Fragments of False House" Pomeroy Gallery, London |
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1987 |
"A Trouble Shared" Riverside Studios, London |
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"A Conversation of Pleasure into Sickness" Kettle’s Yard, Cambridge / England |
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